It’s that time of year again and pretty soon we shall be meeting our townspeople who now reside in distant places; from London to Manchester, from New York to Houston Texas; some absent for nigh on 50 years or more. No sooner will we lay eyes upon them, then we’ll ask: “When are you going back?” and that’s the essential difference between an exile’s holiday and that of the unknown tourist from abroad.
My first memory of emigration was as a boy in the 1950s, going up from the Watery Mall to the railway station in Thurles, to meet my uncles, aunts and cousins, all coming back home for a couple of weeks. One of the reasons, at seven or eight years of age, I enjoyed their coming was because they were such lovely people; decent, down to earth plain souls, who had worked hard in order to be able to return for their holidays.
They, during scarce times, would bring home comics, like Rupert Bear and give me chocolate and money for the pictures in Delahunty’s Cinema down the middle Mall (“The Wan Below) or McGrath’s Capitol Cinema (“The Wan Above”) or that spin in a motor car that they would hire out some days, to go to Holycross Abbey, to Killarney, or to visit my relatives in Co. Cavan.
The car was a scarce enough commodity in Thurles in the hungry days of the 1950’s. This was a world with no television, only that radio with the dry and wet battery we had purchased up in Donoghue’s electrical shop on Friar Street. But there was the Sunday ‘Coordeek’ (from the Irish ‘cuirdeach, meaning a house visitation) in my uncle Mick’s house in Fontenoy Terrace, where Mick, who worked on the Council, played the accordion and songs such as “Moon Behind The Hill“, “The Rose of Arranmore“, “Irene, Goodnight, Irene“, etc. I can clearly picture my father; John Joe Ryan (and a bed in Heaven to him, as the old folks say), in his white shirt, peaked cap and dark trousers, leaning up against the kitchen door in my uncle Pakie’s House in Cabra Terrace, Thurles, singing his perennially favourite party piece, “The Rose of Mooncoin“. It was only on my father’s death that I realised why I had hummed that Kilkenny hurling anthem every morning for years. My uncle, Danny who lived in Caterham, Surrey, UK and worked with British Rail, used to bring all the suitcases up to nearby Cabra Terrace from the station on a fine strong ‘High Nelly’, bicycle belonging to my father. It was a ritual he insisted upon. No taxis then for Danny Boy who, like his brother, Tommy in Caterham, was also an ex RAF man.
Then, for all, a quick visit to Bowes’ bar to quench the thirst caused by those hot summer days, after the train journey, before facing into the re-unions at home. I remember the joyful laughter and camaraderie and the rousing music of those days quite vividly still and the trips hither and yon in the leather upholstered motor car. I thought my uncles and aunts must have been all millionaires, and that England must be a great country entirely. But whatever envy I might have had in that respect, soon faded on the night before my relatives departed for England once more.
On the night of that “American Wake” we would be up above in Leahy’s Field not far from the Thurles Clonmel railway line, where kids put pennies on the railway tracks to be flattened by the wheels of the trains approaching from under Cabra Bridge. I recall my uncle Danny, a bit of a joker, always trying to get some folks not in the know about it, grabbing with their fists the electric wire fence for keeping the cattle in their place. But not on that particular evening, when a terrible loneliness would descend like a mist on the rich hay-scented fields, as I would sit on the wooden plank spanning the cart and hold the reins of ‘Jenny the Jennet’(pronounced jinnit), which I used to drive up and down from Cabra Terrace to Leahy’s Field.
It’s strange how some of the most defining moments of my life featured a field, and even on his death bed in 1990, my father lifted his eyes from the pillow of his bed in the Hospital of the Assumption, in Thurles, towards Semple Stadium and said quietly: “They’re all over in the field now”, Being himself an old Sarsfields hurler, ex hurley- maker and an ex steward, that field meant a lot to him.
Up in Leahy’s field, which was, at that moment in eternity, my whole world. I felt like bursting into tears at the terrible unfairness of the end of this wonderful idyll. I would miss my aunts and uncles and cousins. I would not really know why until many years later. Emigration, for those who did not wish to go, was definitely an evil and in all the homes of the terraces, roads, streets, avenues in Thurles and all over this land, there are similar bittersweet memories of our dearest summer visitors. But our hearts are in a hurry again for their coming and please God, come next summer God will be in his heaven sure as water runs and grass will grow. There will be dust on the roads again … and we will look forward to meeting our Ould Townies, the Real Ould Stock, once more. END
Tom Ryan, “Iona”, Rahealty, Thurles, Co. Tipperary.
Vocals: Australian actor and bass-baritone singer Philip Mark Quast(Three times winner of the Laurence Olivier Award for Best Actor in a Musical), taken from the musical ‘Les Misérables’, latter based on the 1862 novel of the same name by French Romantic writer and politician Victor Hugo. Lyrics: French record producer, actor, singer, songwriter and musical theatre composer Claude-Michel Schönberg.
Stars.
There, out in the darkness, A fugitive running, Fallen from God, fallen from grace, God be my witness, I never shall yield, Till we come face to face. Till we come face to face. He knows his way in the dark, Mine is the way of the Lord, Those who follow the path of the righteous, Shall have their reward, And if they fall, as Lucifer fell, The flame, the sword! Stars in your multitudes, Scarce to be counted, Filling the darkness with order and light. You are the sentinels silent and sure, Keeping watch in the night. Keeping watch in the night. You know your place in the sky. You hold your course and your aim, And each in your season, Returns and returns, And is always the same, And if you fall as Lucifer fell, You fall in flame! And so it must be and so it is written, On the doorway to paradise, That those who falter and those who fall, Must pay the price! Lord let me find him, that I may see him, Safe behind bars, I will never rest, Till then this I swear, This I swear by the stars!
Songwriter:Neil Percival Young. Vocals: Canadian and American singer, guitarist and songwriter, Neil Percival Young.
Hold Back the Tears.
Hello, my old friend, it’s good to see you smiling, You’ve been around so long, you must be strong, And single life really has its fine points, Like friends to help you out when things go wrong.
[Chorus] Hold back the tears that you’ve been crying, Push off the fears when they come around, Hold back the tears and keep on trying, Just around the next corner, may be waiting your true love.
I call her name out in the night, I feel for someone but still something isn’t right, Ah, those streets I hesitate to use, Start looking better when night brings on the blues.
[Repeat Chorus]
Two lyin’ fools and then four cryin’ eyes, Counting on one another to survive, Crazy love must surely have this pain, If getting up means going down again.
[Repeat Chorus]
Hello, my old friend, it’s good to see you smiling.
Seventy candidates are seeking election to 40 seats across Tipperary County Council’s eight electoral areas.
Six sitting Tipperary councillors, namely Fine Gael’s Michael Fitzgerald, Independents Hughie McGrath and John “Rocky” McGrath, Fine Gael’s Ger Darcy and Noel Coonan, and Fianna Fáil’s Seamus Hanafin have all opted not to stand for re-election in 2024.
Here in the Thurles local election area, those seeking re-election are Micheál Lowry (Independent), Peggy Ryan (Fine Gael), Sean Ryan (Fianna Fáil), and Jim Ryan (Independent). Seeking election for the first time are Kay Cahill Skehan (Fianna Fáil) and Dan Harty (Sinn Féin).
Vote ‘Em Out.
Lyrics: American country singer, guitarist and songwriter Willie Nelson. Vocals:Willie Nelson.
Vote ‘Em Out.
If you don’t like who’s in there, vote ’em out. That’s what Election Day is all about. The biggest gun we’ve got, Is called “the ballot box”, So if you don’t like who’s in there, vote ’em out. Vote ’em out (vote ’em out), Vote ’em out (vote ’em out), And when they’re gone, we’ll sing and dance and shout. Bring some new ones in, And we’ll start that show again, And if you don’t like who’s in there, vote ’em out. If it’s a bunch of clowns you voted in, Election Day is comin’ ’round again. If you don’t like it now, If it’s more than you’ll allow, If you don’t like who’s in there, vote ’em out. Vote ’em out (vote ’em out), Vote ’em out (vote ’em out), And when they’re gone, we’ll sing and dance and shout. Bring some new ones in, And we’ll start the show again, And if you don’t like who’s in there, vote ’em out. Vote ’em out (vote ’em out), Vote ’em out (vote ’em out), That’s what Election Day is all about. The biggest gun we’ve got, Is called “the ballot box”, So if you don’t like who’s in there, vote ’em out. If you don’t like who’s in there, well vote ’em out.
Lyrics: American singer, songwriter and guitarist John C. Fogerty(founder of the swamp rock band ‘Creedence Clearwater Revival’ (CCR). Vocals: American rock band ‘Creedence Clearwater Revival’.
Bad Moon Rising.
I see the bad moon a-risin’, I see trouble on the way, I see earthquakes and lightnin’, I see bad times today. Don’t go around tonight, Well it’s bound to take your life, There’s a bad moon on the rise. I hear hurricanes a-blowin’, I know the end is comin’ soon, I fear rivers over flowin’, I hear the voice of rage and ruin. Don’t go around tonight, Well it’s bound to take your life, There’s a bad moon on the rise. Alright. Hope you got your things together, Hope you are quite prepared to die. Looks like we’re in for nasty weather, One eye is taken for an eye. Well don’t go around tonight, Well it’s bound to take your life, There’s a bad moon on the rise. Don’t come around tonight, Well it’s bound to take your life, There’s a bad moon on the rise.
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