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Did Tales Of Ireland Influence Writing Of Margaret Munnerlyn Mitchell?

The Atlanta, Georgia US born Margaret Munnerlyn Mitchell (Pen name, Peggy Mitchell, November 8th,1900 – August 16, 1949) was an American journalist and author who provided us with that great 1939 epic historical romance novel, “Gone With The Wind”; same being one of those golden American pieces of literature that readers and later film goers, worldwide, can truly never forget.

She too had been born into a family with ancestry not unlike that of her novels heroin, namely Scarlet O’Hara.

Philip Fitzgerald, Margaret Mitchell’s maternal great-grandfather, had emigrated from near Fethard, Co. Tipperary, same then a fortified, small walled town, shortly after the 1798 Rebellion.

The family were seen as Catholic refugees attempting to evade oppression. Philip Fitzgerald eventually settled on a slaveholding plantation, near Jonesboro, Georgia, US, where he had one son and seven daughters with his wife, Elenor McGahan, who herself was from an Irish Catholic family.

Margaret Mitchell’s grandparents, Annie Fitzgerald and John Stephens had married in 1863; her parents, father Eugene Muse Mitchell, an Attorney, was descended from Scotch-Irish and French Huguenots, while her mother, Mary Isabel or “Maybelle” Stephens, was of Irish-Catholic ancestry, and were both married at her parents mansion home on November 8th, 1892. For the young Margaret Mitchell, (latter regarded as a ‘Tomboy’); Annie Fitzgerald/Stephens, her grandmother, (latter often regarded as both vulgar and a tyrant), existed a great source of eye-witness information, when it came to stories of the American Civil War.

Published in 1936, her only novel ‘Gone With the Wind’, turned the 4 feet 11 inches tall Margaret Mitchell immediately into an instant celebrity; earning her the Pulitzer Prize in 1937. In the same year Mitchell sold the movie rights to film producer David O. Selznick for $50,000, (Equivalent value today of $838,615 or approx. €747,296), latter being the most ever paid for a film manuscript at that period in time.

The film version, a four-hour epic, starring Vivien Leigh and Clark Gable, both being portrayed as ill-fated lovers Scarlett O’Hara and Rhett Butler came out just three years later; winning a record-breaking nine Academy Awards in 1940.
Today more than 30 million copies of Margaret Mitchell’s Civil War Novel have been sold worldwide and same has been translated into 27 different languages.

We will never know just how much of her novel contained tales about Fethard, here in Co. Tipperary, learned from the knees of her parents and grandparents, for alas, on August 11th, 1949, Margaret Mitchell was struck by a car while crossing a street to attend a theatre engagement and, sadly, died five days later.

So how much ancestral Irish influence came to the fore in the fictional imagery of Peggy Mitchel’s mind, when she wrote “Gone with the Wind” ?

Rhett Butler: Would her grandparents have talked largely about the Butler lands which stretched from Co. Kilkenny across Tipperary to Cashel and Cahir? Would they have spoken of Cahir Castle, Co. Tipperary?
Cahir Castle, winner of the European Film Commissions Network (EUFCN) Location Award in 2021; is one of the largest remaining castles in Ireland. Today, sited a mere 23 minute drive from Fethard, on an island in the river Suir in Co. Tipperary; Cahir Castle had been built in the 13th century, before being granted to James Butler, then newly created Earl of Ormond, for his loyalty to Edward III, in the late 14th century.

Scarlett O’Hara: The name O’Hara has held a distinguished place in Ireland for centuries, mentioned in the Annals of the Four Masters, (latter compiled between 1632 and 1636). The current spelling of O’Hara is an anglicized pronunciation of the original Irish ‘Ó hEaghra’, meaning “descended from Eaghra”, latter a 10th century Irish chief.

Plantation Tara : Tara is the name of the fictional plantation in the state of Georgia, in this historical novel “Gone with the Wind.”
There is little doubt that Mitchell modelled the fictional Tara Plantation after local plantations and establishments existing before the US Civil War, particularly the Clayton County plantation on which her maternal grandmother, Annie Fitzgerald Stephens (1844–1934), daughter of the Irish immigrant Philip Fitzgerald (1798–1880) and his American wife, Eleanor Avaline “Ellen” McGhan (1818–1893), was born and raised.
Tara is also an anglicization of the Irish name ‘Teamhair’. The Old Irish form is ‘Temair’. It is believed this comes from common Celtic, ‘Temris’ and means a ‘sanctuary’ or ‘sacred space’ cut off for only ceremony.
‘Tara’ was once also the capital of the inauguration place and seat of the High Kings of Ireland. The name also appears in Irish mythology. According to the aforementioned Annals of the Four Masters, five ancient roads or ‘slighe’ (Ways) meet at Tara, linking it with all the four provinces of Ireland.

Death Of “The Irish R.M.” Star Peter Bowles.

Actor Peter Bowles in the role of
Major Sinclair Yeates
, in “The Irish R.M.” [1983–1985]

Star of “The Irish R.M.”, and author Mr Peter Bowles has sadly died from cancer, yesterday March 16th, at the age of 85 years.
The actor whose career began with RADA at the Old Vic is survived by wife of some 60 years Sue, together with his three children Guy, Adam and Sasha.

The well-known and much loved charismatic actor of stage and screen will possibly be best remembered, playing the character of ‘Mr Richard DeVere’, starring opposite Penelope Keith as ‘Ms Margo Leadbetter’, in the smash-hit sitcom, “To The Manor Born”, which saw audiences of some 20 million viewers during its twenty-one episodes.

Starting his career at the Old Vic Theatre in 1956, he starred in 45 theatrical productions retiring at the age of 81 in “The Exorcist” at the Phoenix Theatre, having worked consistently on stage and screen, as the typical English gent, wearing a trademark moustache, in the British sitcoms including, “Only When I Laugh”, “The Bounder” and the TV drama “Lytton’s Diary”, which he devised himself.

From 1958 – 2021, Mr Bowles starred in some 42 films and well over 100 Television series, as well as receiving awards & honours including: – RADA Scholarship (1954); Madge Kendal Prize (1955); ITV Personality of the Year (1983); Male Comedy Star Award (1983); The Golden Gate Award (San Francisco International Film Festival, 1993) and an Hon. Doctor of Letters (Nottingham Trent University, 2002).

His book titles include the autobiography: “Ask Me if I’m Happy” and “Behind the Curtain: The Job of Acting”.

In ár gcroíthe go deo.

Cashel Library To Celebrate International Women’s Day On March 8th

Ms Maura Barrett, (Branch Librarian at Cashel Library) Reports On International Women’s Day.

Cashel Library, here in Co. Tipperary, will celebrate International Women’s Day on March 8th next, beginning sharp at 7:00pm, with a free celebration of Ceol, Craic, Coffee and Cake.

This free event embracing the International Women’s Day campaign theme: #BreakTheBias showcases songs, story and music from the best talent in the region. Featuring the noted Journalist, Lecturer and champion for gender equality Tom Clonan, latter who has spent a lifetime fighting for Gender Equality, Disability Rights and the most vulnerable in Irish Society.

Tom Clonan

Ms Maura Barrett, (Branch Librarian in Cashel Library) and co-ordinator of this event, says it kick starts a number of #BreakTheBias themed events that the library will host in 2022 with schools, community groups and patrons.
“I am very excited about this celebration” says Maura, “It is so wonderful to be able to celebrate women’s achievements and very fitting that libraries play their part in actively breaking the bias that women continue to experience. We were mid-way through Mná Month back in 2020 when the Covid Pandemic scuppered things. It is very fitting that we can now pick up the baton again in 2022, in a renewed way, beginning with a celebration.”

This promises to be a jolly event with poetry and singing, jesting and joviality and there will be coffee and tea and some cake too.

The event is delighted to feature Singer/Songwriter Eileen Condon; Poet Orla Hennessy; Writers Eileen Hennigan and Bernie Coniry; Actors Will Condon and Sheila Lannigan; Mythical Tales/Stroyteller and Druid Eimear O’Brien and many others, adding to what will be a most entertaining night.

Do Please Note: Places are limited for this free event, so do ‘Repondez, s’il vous plaît’ (RSVP) to Tel: 062 63825 quickly, to avoid disappointment.

* International Women’s Day is a global holiday celebrated annually on March 8th to commemorate the cultural, political, and socio-economic achievements of women.
The day also marks a call for action for accelerating women’s equality.

“An Irish Journey” by Sean O’Faolain in 1940s Thurles, Continued.

Sean O’Faolain

Cork born, John Francis Whelan [1900 -1991] possibly better known by all as Sean O’Faolain was one of the most influential figures in 20th-century Irish culture. A short-story writer of international repute; he was also a leading commentator and critic.

In his book “An Irish Journey” (from the Liffey to the Lee), latter published first in 1940, (Published in America in 1943), he reflects on his visit to Liberty Square, here in Thurles, Co. Tipperary. 

For those who may have missed Part 1 of his story regarding his sojourn in Thurles, Co. Tipperary; same can be read HERE

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PART 2(Final part continues)Sean O’Faolain writes as follows,

“The old man on the bridge remembered all the famous people I associate with Thurles, such as the famous Archbishop Croke, Smith O’Brien and the Fenians, Parnell, John Dillon and especially William O’Brien, that fiery particle from Cork who with Tim Healy was the most gallant and the wildest fighter of the Irish parliamentary party and who alone continued the best traditions (as well as some of the worst) of that party into the modern Sinn Fein revival.

He showed me where the old Market House used to stand in the square with its little tower and it’s frontal terrace, stepped at each side and he talks so well I could see the vast political meetings there, of nights, with the tar-barrels smoking and spluttering in the wind, their flames leaping in the reflecting windows about, the police lined along the opposite walls or grouped in side streets, fingering their carbines or batons in case there should be a clash between rival parties.

The great Archbishop would stand there tall and impressive; with him another big clerical figure – with apparently much more suave and evasive, Canon Cantwell; Dillon slightly stooped; O’Brien bearded like a prophet and Parnell ready to tear the hearts of the crowd with some clinching phrase.

Later, I looked up at Croke’s fine statue in the square and went to the Cathedral (Cathedral of the Assumption, Thurles), to see his bust in its niche – a square jawed firm mouthed man, much what one would expect from his life story, all solid and all of a piece. He was one of the last great nationalist prelates, for the Parnell split struck a deadly blow at a priest in politics, and though the hierarchy has manfully stood by the people several times since then, especially during the Revolution, they almost always act in cautious and deliberate concert and the freelance fighting Bishop has since died out.

The Archbishop Thomas William Croke statue situated on Liberty Square, Thurles, Co. Tipperary.

There is something fabular (having the form of a fable or story) about Croke. He destroyed all his papers after reading Purcell’s “Life of Cardinal Manning and little positive remains.

It is said that he fought at the barricades in Paris in the revolutionary troubles of 1848, [“Springtime of the Peoples”]. One can, after looking at his portraits and reading his life, well believe William O’Brien who vouches for it; see the young priest of twenty-four caught by the excitement of the times, the rattle of Cavignac’s musketry, the flutter of the Red flag, the barricades of furniture, carts, wagons, dead horses, the cries of the demagogues.

There is another like story which maintains that when he was a student either in Paris or in that pleasant college of the little Rue de Irlandais, behind the Pantheon orat Menin, he horrified a class by denying in a syllogism, (Latter a form of reasoning in which a conclusion is drawn from two given or assumed propositions), was expelled, put his pack on his back and tramped across Europe to the Irish college at Rome and was admitted there. (The rector was John Paul Cullen, later Cardinal, a friend of Pope Leo, one of the most influential men in the whole European church, the man who defined for the Catholic world the precise formula of Papal Infallibility.)

I should like to believe the stories, they are such an excellent prologue to a life during which, as curate, professor, college president at Fermoy, chancellor, parish priest, bishop in New Zealand, archbishop of Cashel, he was in every station, the most outspoken, forward driving, irrepressible, warm-hearted, affectable, and sympathetic figure, in the entire history of the Irish episcopacy.

When he was appointed Bishop, it is said that the appointment was most unpopular in his diocese and if I made believe my old man at the bridge, (Barry’s Bridge Thurles), who kept on remembering local lore about him – on his first Sunday he got up in the pulpit and told the people that he knew it, that he now had the post and that he “was, thank God, under no compliment to the priests and people of Tipperary for it”.

He gave dinner in celebration of his appointment. Only one of his opponent’s dared to stay away, a professor in the Diocesan Seminary, father Dan Ryan. The murmur went round the table before the meal ended that Ryan had been suspended, an unheard of punishment for what was merely a social gaffe. But it was true. Croke had suspended him for twenty-four hours, “just to show him who was the boss”.

William Smith O’Brien

He was as generous as he was stern. In the great days of the Irish parliamentary party, William (Smith) O’Brien used to stay at the Palace. One night, after O’Brien had gone to bed the Archbishop paused outside his door and for some idle reason apparently looked at O’Brien’s boots. They were in tatters. He sent out into the town early next morning for a new pair of boots. O’Brien soon afterwards received the cheque for €200.

Those must have been great days and nights in that Palace in Thurles and Croke has always seemed to me an epitome (perfect example) of the Irish priest at his best, sitting there among the Irish political leaders of the day Biggar, Davitt, Parnell, O’Brien and the rest. Outside are the Tipperary farmers and their wives, down from the rich hills, up from the Golden Vale. The great square is dense with chaffers and bargainers by day; by night with crowds waiting to hear him. It is splendid to see his statue today in that same square (Liberty Square, Thurles) with the market surging around it, like a navy moored to his pedestal.

And he was no mere political priest. At the Parnell divorce he took Parnell’s bust, which he had in his hall, and kicked it out of the door, he was heartbroken. “Ireland” he moaned “is no fitting place for any decent man today. The warmth that used to gladden my heart has disappeared. There is nothing to cheer me in church or state”.
He wished even to fly from Thurles and Tipperary and Ireland, back to New Zealand.

I naturally have a warm corner for Croke; he was a Cork man and they say he never lost his Cork accent and even to the end of his days, ordered his food and other needs from Cork city, rather than give Tipperary, which had not wanted him, the benefit of his custom. A curious thing is that his mother was a Protestant. She remained a Protestant to within a few years, I think only four, of her death.

History, as all over Ireland, is an odd medley in the popular mind of this modern Tipperary – if one may judge by its chance projections in Thurles. They have, for example, lost their old market hall, with its many associations. The one castle which remains is only part of what once stood there.
There were once seven castles in Thurles. In the backyards any good antiquary, like, I imagine, the local Archdeacon Seymour or Dr Callanan, could point you out the remains of the old walls in the town’s backyards. On the other hand on the wall of Hayes hotel there is a neat plaque to commemorate the founding there, of the Gaelic Athletic Association in 1884, with Croke as the first patron. While the modern Gaelic revival having permitted the castles to disappear, records a group of new terrace houses beyond Kickham Street, heroes and heroines nobody can possibly visualise or know anything about – Oisin Terrace, Oscar Terrace, Dalcassian Terrace, Emer Terrace, Banba Terrace and so on.
It is a typical experience of the confused and ambiguous, mingled nature of this modern Ireland to go from that end of the town to the other, to the great Beet Factory, pulsing and hammering away inside its impressive buildings, with its rows and rows of railway sidings and it’s rows and rows of windows shining at night across the Tipperary fields”.

Story Ends

Padraic Maher To Launch Thurles Sarsfields GAA Story Volume II, on Friday Next.

The essential and most perfect Christmas gift for lovers of all things GAA.

The launch of Thurles Sarsfields GAA Story Volume II, 1960-2019, was delayed due to the Covid-19 pandemic; but gladly as restrictions are easing, the launch of this much awaited book will now take place on next Friday, November 5th, in the Thurles Sarsfields Social Centre at 8.00 p.m.

Performing the launch, to which all are welcome, is Tipperary hurling star, Padraic Maher, Sarsfields most decorated hurler of the modern era.

Volume 2 of the book continues the epic story of this club, which is as old as the GAA itself. It takes the reader through its peaks and troughs from the heady days of the sixties, through the barren years that followed, to the club’s return to the glory days of the last decade.

The opening of the Social Centre, the inclusion of Ladies Football and Camogie and the club’s development of new grounds on the Racecourse Road, are all highlighted, as are many of the developments in Thurles during the period.

This hardback book, which runs to 752 pages, has an amazing array of photographs and a detailed statistical section.

Books, costing €25, will be on sale in the centre from 6.00p.m. and copies will be available later at: –
Bookworm, Parnell Street, Thurles. Tel: 0504-22257.
Email: info@bookworm.ie
and at
Eason in Thurles Shopping Centre, Tel: 0504-24588.
Email: thurles@easonfranchise.com

NB: For those who missed out on Volume 1, copies will be available on the night, at a bargain price of €40 for both volumes.

All are welcome to attend this Book Launch.